by Casi Scheidt

Eye Eye
audi_insperation via Creative Commons

“Why did my sissy die?” she asked, her blue eyes dull, tone flat, looking older at four years than she ever would again.

“Because it was her time, baby,” I said.

“I want the grown-up answer.”

“What do you mean?”

“I want the truth.”

“God decided to take her back.”

“No.”

“Baby, please.”

“No. Tell me why,” she said, glaring at me.

“I can’t.”

“You have to.”

“I don’t know,” I said, my eyes stinging and throat aching.

“Was it because she was sick?”

“That was part of it.”

“What’s the other part?”

For hours she followed me, demanding an answer to the same question I’d been asking myself since it happened.

“Tell me why. I won’t stop until you tell me why.”

“Because she wasn’t like you,” I said, both my voice and my will to shield her breaking.

She watched me, waiting, sensing there was more.

“Because you came screaming into this world, yelling so loudly the whole building could hear you. Nothing could quiet you, nothing could make you still. But not her. She came as if all her demons had already defeated her. She gave up. That’s why anybody dies, baby. Because they have nothing left.”


Casi ScheidtCasi Scheidt is a recent Southern Illinois University college graduate (B.A., English, Creative Writing), and currently lives in North Carolina. While in college, three of her poems, “The Bad Year,” “To Leave Charleston,” and “For the Woman Who Has Failed to Protect Her Virtue” were included in the university’s literary magazine, Grassroots. Scheidt enjoys horror, post-apocalyptic, and literary fiction. She is also a game inventor, and is writing full-time.

by Rita Jansen

“Better an empty house than a bad tenant,” Mum would say, shovelling the weekly dose of castor oil into me. “When the bowels are out of kilter, the brain turns to mush!” Over the years, many of Mum’s aphorisms made good sense, except for her take on my sixteenth birthday present from my granddad.

“If you ask me, you’re granddad lost more than his right arm in the war,” she said. “Who in their right mind gives a gift like that to a young girl?”

“Granddad’s not crazy,” I said in his defence, although, truthfully, it wasn’t something I would have chosen for myself. “He knows they’ll all be taken by the time I need it, and I got to choose the nicest one.”

2009-11-22 The gift
Henning MĂĽhlinghaus via Creative Commons

Both have passed on now. Mother died suddenly at the age of fifty-two and Granddad didn’t make it to my seventeenth birthday. His gift has remained untouched although I’ve kept an eye on it over the years.

However, it won’t be long now until someone opens it on my behalf and lays me to rest in the best plot in Heaven’s Door Cemetery; Granddad’s gift to me.


Rita JansenRita was born in Drogheda, Ireland but left the Emerald Isle to work as a nursing sister in South Africa. She’s been fortunate to live in many interesting places, including Zimbabwe, finally settling down in a small fishing village on the South Coast of Natal. Now retired, she has the time to pursue a life-long desire to write about the many characters and situations encountered along life’s journey, which lie in wait, like hidden treasure in her memory box.

by Adiba Jaigirdar

Match
Andreas Levers via Creative Commons

The matchsticks in the broken drawer don’t tempt me now that you’re gone.

We sat on my bed and shared scorch marks like stories of old boyfriends. The one between your thumb and forefinger? Two years ago. Darkened to a deep shade of brown on your already dark skin. I’d be lying if I said I didn’t love it. I’d be lying if I said that I didn’t dream about it with my eyelids half closed, imagining you beside me, imagining me running my fingers along that scorch mark.

I like the one on your right shoulder the best. It’s nothing but a giant brown blob. There’s a strange beauty in it. Perhaps the most enticing thing about is the way you showed me, slowly rolling up the sleeves of your overly-long, baggy t-shirt.

My scorch marks seem like nothing in comparison. Even now.

Fire has lost its delight too, since you left. Like I never understood the spark, the heat, until you brushed your fingers along my collarbone.

Those two months, sharing stories on my bed, our limbs entangled in each other carelessly; those were the days I was on fire.

The matches, the bedroom, the lick of fire against my skin? Nothing without you in it. No spark.


Adiba JaigirdarAdiba Jaigirdar is a twenty-two year old writer and poet. She is of Bangladeshi descent but Irish by nationality. She has graduated from University College Dublin with a BA double major in English and History, along with an MA in Postcolonial Studies from the University of Kent. She has previously been published in literary magazines such as About Place Journal, wordlegs and Outburst. You can find her on twitter at @adiba_j.

by Jeaninne Escallier Kato

Lipstick
David Moran via Creative Commons

“Moishe, darling, don’t forget your coat.” She has carefully placed his clothes on the bed, as she does for every opera night.

“And you look breathtaking, Ruth, my love.” He stares at her through her vanity mirror as if memorizing every feature on her face. “The black velvet suits you.” He swallows heavily, sweat beading on his brow.

She grins in that special way that says she wants him desperately. Applying red lipstick, she says, “The children are downstairs with your parents. I bundled them up in layers. It will be a cold night.” She turns away when the tears blur her vision. She knows he is studying her closely.

He runs his fingers down her exposed spine until he touches the top of the zipper. She grabs his hand and presses it to her powdered cheek. Her tears have left visible tracks through an otherwise impeccable layer of make-up.

A door bangs open. He runs downstairs to the children, shielding them from the inevitable intruders. She slowly slips into her mink coat. With trembling hands, she picks up the felted yellow star that has fallen to the floor.


Jeaninne Escallier KatoJeaninne Escallier Kato is the author of the childrens’ book, “Manuel’s Murals.” She has published short stories in various online journals, and her memoir essay “Swimming Lessons” is published in the anthology book, “Gifts From Our Grandmothers,” by Carol Dovi. Jeaninne is a retired, bi-lingual educator who is inspired by the Mexican culture. Much of her written work revolves around the people and traditions of Mexico. She resides in Northern California with her husband, Glenn, two German Shepherd mix dogs, Brindey and Bobby McGhee; and, one very fat Russian Blue cat named Mr. Big.

Visit her on Facebook, Twitter, LinkedIn, and YouTube.

 

by Christina Dalcher

Gran’s tattoo might have been beautiful. On her, it was a desperate grasp at youth, an atrocity, an embarrassment. Ugly.

“You could have that removed,” I said on a Saturday after Gran returned from wherever she went on Saturday mornings. “There’s a place in town—”

Gran silenced me with a wave of her stupidly paisleyed left arm.

Watchtower Concentration Camp - Buchenwald
Alexander Steinhof via Creative Commons

We’d attempted this conversation before. It always ended on the same note, but now Gran elaborated. “I got this after leaving Budapest.” Her eyes crinkled in a rare smile as she nodded toward the strip of curls on her forearm. “From a man.”

“A man,” I repeated. I supposed even in 1940 men operated tattoo parlors. Or maybe she was one of those ‘types,’ as mum might say.

“I don’t want to erase him.”

And I didn’t want to think about Gran having a lover.

She died the following Saturday, and two strange old women came to bathe her withered body. They saved Gran’s left arm for last, stroking it gently, muttering foreign, guttural words.

I got one last look at the ugliness of colored ink on pale, papery skin before mum dressed her, and I saw the unspeakable, forgotten ugliness hidden inside each paisley teardrop: A-13968.

Beautiful, Gran, I thought when we buried her.


Christina DalcherChristina Dalcher is a linguist, novelist, and flash fiction addict from The Land of Styron. She is currently matriculating at the Read Every Word Stephen King Wrote MFA program, which she invented. Find her at ChristinaDalcher.com or @CVDalcher. Or hiding in a cupboard above the stairs. Or read her short work in Zetetic, Pidgeonholes, and Syntax & Salt, among other corners of the literary ether.

by Nikki Boss

“When you come back, I will be here like this.”

“What does that mean?”

“Nothing to you but everything to me.”

“Sarah.” I love how he says my name, Say-ruh.

“Come here.” I pull him to me, my hands cupping the back of his neck. He pulls away.

Ray Moore via Creative Commons
Ray Moore via Creative Commons

“I have to go.”

“You could stay if you wanted to.”

“I can do anything I want.”

“Except stay with me.” And there it is. It does not matter what I want or what he wants; there will always be this.

He scans the room for his clothes.

“In the bathroom,” I tell him. He goes to fetch them and I use the moment to light a cigarette. Inhale deeply and let the smoke unfurl from my mouth.

“Say-ruh.”

I ignore him.

“Say-ruh.” I will not go to him.

“James.” I state his name rather than reply. Take another drag and let it poison me.

“You can lie in that bed all day and it does nothing.”

I spit back. “I can do whatever I want.”

The door slams. He is leaving me again.


Nikki Boss

Nikki Boss lives in New England with her husband, children, and too many animals. She is currently a MFA candidate at Vermont College of Fine Arts and teaches middle school English.

 

 

 

by Ville Meriläinen

Ladder
David Alliet via Creative Commons

It was the end of the world as we knew it, but some things never changed. You were always a hopeless romantic, and I hated to let you down. When I said we should start thinking of tying the knot, you thought I meant something sweet, so instead of a noose I got you that ring you were eyeing before all this shit went down.

I took you to the old church and we sat on the roof watching stars and the city teeming with the dead and listening to their growls and the song of nightingales in the park. It was then I realised I hadn’t thought this through. We exchanged vows with no way out.

You asked, “Does it count as consummation if zombies climb ladders and we’re royally screwed?” I’d never seen them do much anything than shamble on without purpose, but I guess we’d find out in time. We were supposed to be home by now. I hadn’t brought any food or water, just some rope.

I wrapped my arm around you and told you, “If zombies climb ladders and death tries to do us apart, we’ll tie our hands together and walk as one forever.”


Ville Meriläinen is a Finnish twenty-something student and a miscreant of the arts, with a penchant for bittersweet stories and a passion for death metal. His noir fantasy novella, Spider Mafia, is available at amazon.com for the perusal of anyone who ever wondered what might happen if cats in suits had to save the world from spider wizards.

by Alex Creece

Vitality slipped from his dark, calloused fingertips. Blueish, purpleish, and then grey. Stigmata once throbbing raw with rot blackened to an impenetrable void. His palms were a purgatory of coagulate crust. The eyes of the all-seer shrivelled upon the salvationless silhouette of the boulder which obstructed his portal to the next life.

He was dead. Or dying. Or definitely, definitely dead.

Crack
Kenneth Lu via Creative Commons

He stared at the boulder for hours on end, blinking less and less until he no longer felt the need to scrape his sleep-starved lids against eyes so dry and devoid of sight. Rocks and rubble etched secrets and scripture into his back, and eventually he was comfortable enough to settle into his Grotto of Eden as he awaited his exile into a new existence. His nerve endings had ruptured—their own rapture, perhaps—so he no longer felt the searing necrosis of his physical form, nor did he choke on the stench of his own decay. He welcomed rigor mortis eagerly, allowing it to exorcise him of a life left.

A couple of days later, a crack of light seeped through the edge of the boulder. It caught his vacant eyes and singed his peeling flesh. But he remained staunch. He had found his way through days ago.


Alex CreeceAlex Creece is made of dirt and determination. It’s the latter which laces her lungs with grit.

by Georgene Smith Goodin

Cupid's Span
darwin Bell via Creative Commons

I’m on Fourth Street when the radio cackles. Active shooter at the middle school. My heart boings. The wife and I made Jimmy go to the Valentine’s dance.

I throw on my siren and flip a bitch. Cop’s prerogative. A perimeter’s being established when I screech into the parking lot.

“What’ve we got?” I ask the captain.

“Whack job with a crossbow.” He motions the SWAT team into place. “Jimmy in there?”

“Yeah. Violet?”

“Yep.”

A succession of clicks, guns being cocked.

The hostage negotiator uses a bullhorn. “Lay down your weapon and come out with your hands up.”

The gym door creaks open. Out comes a guy sporting a diaper. His chubby cheeks rival Jimmy’s baby pics. His curls are angelic.

“You’ve got this all wrong,” he says.

The SWAT team hauls him off while the rest of us clear the building. All we find is a toy bow and arrow.

The kids slink out in a disorderly line, sulking instead of relieved.

I run to Jimmy. “Glad you’re okay,” I say. “Anybody hurt?”

He nods at Violet clinging to his arm. “I think she needs a doctor.”

“I’m fine,” she says, starry-eyed, and strokes his face.


OLYMPUS DIGITAL CAMERA

Georgene Smith Goodin’s work has appeared in numerous publications, and has won the “Mash Stories” flash fiction competition. She lives in Los Angeles with her husband, the cartoonist Robert Goodin. When not writing, she is restoring a 1909 Craftsman bungalow with obsessive attention to historic detail. Visit her blog, or follow her on Twitter, @gsmithgoodin.

by Laura Roberts

Dancing around the maypole, the elusive rantipole and his egregiously under-dressed trollop were eventually detained by police for public nudity and petty larceny. Shackled and shaking, Peter piped up with plaintive mews, reflecting hues of his twin brother’s trial for crying wolf, and persisting in his delusions of sanity—despite the fact that his hygiene (or lack thereof) suggested otherwise.

Devin at the fair 4
Crysco Photography via Creative Commons

The arresting officer demanded, “Well, young lady, have you anything to say for yourself?”
Peter’s petite accomplice merely sniffed, threw back her shoulders and ignored the porcine grin as the querulous copper manhandled her into the back of the cruiser.

“I’ll have your badge for breakfast!” Peter shouted, as a crowd gathered ’round the car.

“Along with the porridge you swiped from those poor, innocent bears, I’ll wager!” a nearby curmudgeon threw into the mix.

“Lies! Hearsay!” Peter pouted. “Peep, pipe up any time!”

The lovely lady simply smiled and adjusted her lipstick, wanting to make a good impression with her mug shot—sure to grace the morning papers.

The pickled peppers supposedly swiped were never located, thanks to Bo Peep’s strict Kegel regimen.


Laura RobertsLaura Roberts can leg-press an average-sized sumo wrestler, has nearly been drowned off the coast of Hawaii, and tells lies for a living. She is the founding editor of Black Heart Magazine, the San Diego Chapter Leader for the Nonfiction Authors Association, and publishes whatever strikes her fancy at Buttontapper Press. She currently lives in an Apocalypse-proof bunker in sunny SoCal with her artist husband and their literary kitties, and can be found on Twitter @originaloflaura.