If you’re thinking about reading this book, the first thing I recommend is that you check out either this Spotify playlist (created by your humble reviewer), and/or this YouTube one and familiarize yourself with some of the songs featured in the novel. In fact, you should probably do that even if you’re not going to read the book because it’s a very good soundtrack.
Anyway, the reason for the homework is that Ms Moreno-Garcia’s coming of age fantasy novel is set in part against the mixtape-and-vinyl music scene in the 80s. The book doesn’t require a comprehensive knowledge of the songs mentioned within (and you can tell from the length of the playlists that there is a lot of music featured), but certain scenes will make more sense if you’re familiar with key tracks. Being familiar with “En Algun Lugar” by Duncan Dhu, for example, will give a better insight into protagonist Meche’s state of mind during the 80s flashback sequences that take up half the novel. Knowing the melody and lyrics of Procol Harum’s “A Whiter Shade of Pale” will speak volumes about the relationship between Meche’s parents and crystalize a particular scene late in the novel. That sort of thing.
Because music in the book isn’t just a bunch of pop cultural references tossed in to give Meche a memorable quirk, it informs the book’s magical element. Once Meche learns she can use records and dance and music to cast spells, she draws her two outcast friends Daniela and Sebastian into a growing obsession with overcoming their teenage difficulties. This arc is the basis for the 80s sequences, all of which inform and tie into the present (or recent past I suppose, as it’s set in 2009) where Meche finally returns to Mexico City after a long absence to attend to her father’s funeral. It’s worth noting that neither the 1988-89 nor the 2009 segments are necessarily stronger than the other. Sometimes in split timeline novels one or the other will be more interesting which gives the other a filler quality where the reader is impatiently waiting to get back to “the good part.” Not so with Signal to Noise.
Eric gasped awake. He had been sleeping. Was it sleep? He remembered his arm sliding down the edge of his hospital bed sheets, the IV tugging at his wrist.
He was at the edge of a small blue room. In front of him, a staircase disappeared upwards, and a wooden table stood to his left. Eric gathered himself, got to his feet and saw that there was a sheet of paper on the tabletop, with words inscribed upon it in cursive and a ballpoint pen to one side. He looked closer.
Consider your life,
Did you do all you wanted?
Was there anything you would change?
Was it alright to have been you?
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Eric considered a moment. Then he crossed out the first and the last questions and wrote beneath the second:
A little less third-period maths. A few more friends.
Better brakes on mountain bikes.
And an easier way to shave without getting spots on your chin.
Then he took the stairs.
Dominic Daley is a final year student from the U.K. His work has appeared in Songs of Eretz Poetry, Urban Fantasist – Grievous Angel, MicroHorror, Hellnotes, and 365tomorrows. He has a twitter (@APierAppears) and a WordPress.
“Why didn’t you call me?” I asked, looking at her puffy, red-rimmed eyes and haggard features. She had always been so beautiful, expertly made up and not a hair out of place. In the early days of friendship, I was jealous of her, envying the fact that she appeared to glide serenely though everyday life. She was the swan on the surface of the water, but I felt more like the legs paddling like hell beneath it.
Everything seemed so easy for her. When I got to know her better, she trusted me enough to let her guard down – to show the real Eva who had worked so hard to mask her insecurity. If anything, she had even less self confidence than I did but she did a better job of hiding it.
She muttered an excuse but I saw the thick bandages on both wrists – clear evidence she had tried to take the easy way out.
“Let me help,” I said. She stared out of the window as if expecting the Grim Reaper to make a house call.
She wanted oblivion but I refused to give it to her.
R. S. Pyne is a short story writer/research micropalaeontologist from West Wales. Previous credits include Bête Noire, Albedo One, Aurora Wolf, Neo-opsis, Bards and Sages Quarterly, Christmas is dead..Again – a Zombie Anthology and others.
“Long ago, mankind walked the earth beneath a young sun, and we prospered. But no more.” The Emperor stared into a holocorder, his face expressionless. His image was being projected to every receiver on the planet.
“Our transports will be leaving soon.” The Emperor took a deep breath. He was helpless to save these people. The Council’s breeding programs would not allow it. He turned away from the holocorder, listening to a voice muttering offscreen.
“My Lord Emperor,” the voice said, “Your transport is waiting.”
I’ve betrayed them, the Emperor thought as he turned back to the holocorder.
“I am so sorry,” he whispered. A tear traced its way down his cheek. “I would not have it be this way.” He balled his hands into fists to stop their shaking. “I would take you all with me.” His tears were flowing freely now. Men and women across the Earth cried with him, in sadness and in anger. The offscreen voice spoke again.
“My Lord! It’s time.”
The Emperor’s face hardened, but his eyes remained wet. People from Council-approved genetic lineages would flee aboard their interstellar transport, leaving billions behind. They might find a new planet to call home, but was it worth this?
The Emperor stood and saluted as the broadcast ended.
Anna Hawkins is a graduate student at the University of Houston working on a Ph.D. in plant community ecology. In her spare time, she likes to write science fiction, fill her walls with her own paintings, and take care of her collection of weird houseplants. She’s currently working on her first novel.
The remembrance of time not yet passed pulls her under as she laments the loss of her youth. She picks at her cuticles and scrolls down her Twitter, keening for the moments in the days before. And the coldness of the people makes her angry, and she mouths mutely to those frosted life forms, Do You Not Know How You Behave, can you not melt out your hearts, please give back to the world the empathy it has lost… her hollow howl, again and again and againagainagain, hastening the thud and flickering the eyelid, and she’s swallowed whole, hole holee holeee, falling down into it, Alice before she’s met the Mad Hatter, the Mad Hatter before he’s accepted his bipolar disorder, sinking lower together, sipping their tea and eating their crumpets, all the time asking the world to find some balance, to breathe hard into the plastic tube while squeezing with thumb and index finger — please, follow the instructions — puffing and wheezing, each attempt sucking air out of the lukewarm night, driving her dizzy, dizzy like the lecherous lilt of the world as she slides sideways down her seat, lamenting the mornings where problems were contended, where the following of white rabbits ended in triumph over red queens.
Monika McGreal Viola’s work has appeared in Hermeneutic Chaos, AZURE, Icarus, Thirteen Ways Magazine, PennUnion, and Common Ties. Her poetry also has been twice shortlisted for the Fish Anthology Poetry Prize. Find her at www.monikamcgrealviola.com
Today we’re going to dive into a new ironSoap feature meant to help spread the word about new or upcoming books by digging in a little with the authors or contributors on some key storytelling aspects: world-building, character, and editing. Since this is the first such feature—for fantasy anthology Sirens—we have all three being discussed by different contributors to the project.
So what is Sirens? It’s part of Rhonda Parrish’s Magical Menageries anthology series, which also includes Corvidae, Fae, and Scarecrow. She sums it up thusly:
Sirens are beautiful, dangerous, and musical, whether they come from the sea or the sky. Greek sirens were described as part-bird, part-woman, and Roman sirens more like mermaids, but both had a voice that could captivate and destroy the strongest man. The pages of this book contain the stories of the Sirens of old, but also allow for modern re-imaginings, plucking the sirens out of their natural elements and placing them at a high school football game, or in wartime London, or even into outer space.
Sounds great, right? Now let’s check in with a few of the contributors to hear their thoughts on some of those elements of storycraft.
She bent over, examining herself in the mirror, splayed in folds. She pulled her legs apart and saw the pink recede into darkness, becoming indistinguishable. It disappeared into her, silent, and she thought, no, this will never do. So she rubbed her finger and thumb together until it held onto the leathery tip between her legs. When she pulled, she felt a falling, a lengthening of herself into another place. It rounded in her palm and she let it drop powerfully between her legs. Yes, she said, better.
She felt it swing between her thighs and her confidence expanded with its girth. There were comments on the sway of her hips or the taste of her lips or the fall of her hair long and low down the curve of her back. She could not tell if these voices were echoes in her head or said a moment ago, a week ago, now. The extra girth gave her confidence, though. It bulged in front of her like a light leading her to this instance—this time. She knew, with this thing between her legs, that she would finally be taken seriously.
Tara is an international teacher with itchy feet and busy fingers. Having found inspiration in Japan, England and Kuwait, she is now venturing to Ukraine to see what new stories the ‘Old Country’ will reveal to her. Find Tara on instagram @tarajeana or her website www.tarajeana.com.
They’re fucking watching me I know it. Through their windows with their brilliant arrogant eyes that reek of the judgement I know they’ll try and bring. But I see the way colours flow through the days of August, and how the trees talk casually in the wind. Jealous. Hateful. Spiteful people. Just leave me alone. Alone. But the lamp looks bright in the corner and it’s making my head spin. Stop knocking. Stop leaving letters. I want to be left alone. In the dark with a canvas onto which I can spill my lifeblood and leave my final mark.
It would be magical.
But they can’t let you be wrong in a world full of rights can they? Arms getting prickly at the mere thought of you out there on the loose. Wild. Free. I’d run without clothes, you think we’re born with these? Because I see through your lies you bring nothing but judgement to my door.
I don’t need judgement though.
I need support, kindness, and a soft shoulder to lean on when it all gets too hard.
Nicholas Antoniak is an 18 year old emerging Australian writer. He writes both creative fiction, creative non-fiction and poetry. In July he will commence a bachelor of arts majoring in philosophy and sociology and hopes one day to become an author/poet/philosopher.
I joined the Bureau to find the next great civilization; another planet to join us here among the stars. So far, it’s been one disappointment after another. Fifty worlds examined, fifty Class I civilizations.
I really thought this would be it. The readings from deep space looked good. I rehearsed the ‘first contact’ speech. I even let my mother know I might be on to something.
But no, the final readings are conclusive. It’s just another hope-dashing Class I world. The regulations are clear; catalogue the findings, submit the report, and depart without contact. I hate knowing that when a follow-up team checks back in a thousand years this planet will most probably have devolved to the point where there is no civilization left and any beings still alive will be barely sentient.
It seems like something could be done, something to nudge these creatures in the right direction. Minimal contact, of course; just enough to keep them from self-destructing.
And so I wonder. Suppose my shields were to ‘fail’—just for a moment—as I engage the star engine. Suppose these half-advanced bipeds on the blue and white world were to catch a glimpse of my departure. Would that be so bad?
More to the point, would it be enough?
Simon Hole lives in rural Rhode Island where he taught fourth grade for 35 years, publishing essays and co-authoring a book focused on life in the classroom. Since retirement he has been playing poker, gardening, and writing short fiction. Some of his work can be found on-line at 101Words.com and in upcoming issues of The Zodiac Review and Bewildering Stories.
Fireworks boom and crackle as they soar through the night sky. A kaleidoscope of colors rain down until my view is blocked by the old church steeple; the mounted cross tinted green with rust. Children race through the streets with sparklers in hand while adults gather around grilles and drink cheap beer. I bring the pilfered cigarette up to my split lips for one last drag, the tip burning red in the darkened room; the smoke fading in the humid air.
My husband would be furious if he caught me smoking his precious menthols. That fat, lazy hypocrite. Tossing the used cigarette out the window I walk toward the kitchen, stepping over the broken lamp still spitting sparks across the dirty hardwood floor. The pool of blood had congealed into a tacky mess while I was watching the vibrant explosions in the sky. In a way I’m grateful for the noise. Any interruptions to the TV would have once heralded screams and fists much stronger than my own. Now, the thundering fireworks had covered his pleas for help as I stabbed him with a carving knife.
Looking down on his motionless body, a smile curls my lips for the first time since our wedding day. Happy Independence Day to me.
Tasha Teets is the Customer Service Representative for Gerber Collision. She also assists with managerial duties to run day to day operations. Over the past 3 years, she has worked with various Maryland locations to improve productivity and sales. Tasha Teets has taken classes at Anne Arundel Community College and plans to transfer to Bowie State University. She resides in Bowie, Maryland with her family and one spoiled rotten dog.
by Eliza Redwood
Alicia hadn’t wanted to attend her brother’s stupid barbecue. Just because she didn’t have plans for the Fourth of July didn’t mean that she was a social pariah! It was only because she loved “wasting” her life exploring. Not getting tied down with roots anywhere was part of the gig.
But she was in town, so she had to go to her brother’s stupid barbecue.
As host, he was obligated to slave by the grill, flipping burgers and chattering with friendly-faced strangers. (All strangers to Alicia but important people in his life, she was sure.)
So she hovered alone by the dusty piano on the porch.
“Do you play?” a grinning man, a half-drunk beer bottle in hand, asked.
“Not anymore,” she said, inspecting the instrument for dust. “It’s beautiful though.”
“Allow me.” And soon his fingers danced over the ivory, spinning a simple tune that reminded Alicia of home. When it was over, she clapped, taking pleasure in his flushed cheeks.
“Could you teach me?” she asked.
“Sure, but it takes time.” Fireworks boomed in the background, underscored by the delighted laughter of nearby children.
“I love fireworks,” he said, his boyish grin beaming towards her. “Happy Independence Day.”
Alicia leaned in close, “I think independence is a little over-rated.”
Eliza Redwood is a budding twenty-something writer with a mathematics degree that’s been gathering dust and a passion for military history. When she’s not writing, you’ll likely find her on her computer playing solitaire or on her phone playing solitaire. (She just really likes solitaire.) Find her on twitter @ElizaRedwood.
by Yohan Luechtefeld
Consider for a moment and compare The differences and similarities. Perhaps you’ll chuckle with me At the glaring hilarity.
The free world minimum security The unfortunate in super-max. Varying in degree of suffering Quality of life and purity.
In a free world you can do what you want Cough, Within reason. To expose the mighty machine Well ‘That’s just treason!’
You’ll eat what WE give you No you cannot grow your own. Water your grass and flowers instead Or risk the wrath history has shown.
You’ll drink the water WE provide Nevermind what is in it. Don’t you worry about that Plant next door WE watch it every minute. Now the very air we breathe Chemtrails in the sky? Hit you from every angle Hoping soon you’ll die.
You’ll pay more than your share of taxes Never you mind the rich. You’ll pay your taxes in prison Or you’ll end up someones bitch.
Marijuana has been outlawed Inspite of the benefits you see. The honey bee being exterminated ‘Can’t have a cure for free!’
When so many examples made visible ‘Well what to do?’ Stand on a corner with a sign? Hell they’ll come for you its true.
MY suggestion the 4th AND 5th of July Everyone stay at home too. Show those in power The many outweigh the few.
“I think that was the point,” said his daughter, Cecily. “They’ve grown up. They have to find their own way. And there have been tales that our army has behaved rather badly sometimes – “
“None of that!” His fist crashed onto the table. “The British Army is the finest in the world!”
I expect every nation believes their own is best, thought Cecily.
“It’s the king,” her father went on. “He isn’t himself. Everything’s ending…”
“No!” cried Cecily. “It isn’t the end. Perhaps it’s a new beginning!”
Her father seemed a little comforted, and after a while she left him to catch up with her correspondence. There was a particular letter that she wanted to write, to an American boy she had known. They had both been eighteen and – and she could not bear to think that he might not love her any more. He had written secret, passionate letters to her that she treasured.
“Dearest, good luck in your country’s new adventure,” she wrote. “Please forgive us. Then love us, as we love you. Be happy – but don’t forget me!”
She held her head so that her tears did not fall on the letter.
Cathy Bryant worked as a life model, civil servant and childminder before becoming a professional writer. She has won 24 literary awards, including the Bulwer-Lytton Fiction Prize and the Wergle Flomp Humor Poetry Contest, and her work has appeared in over 250 publications. Cathy’s books are ‘Contains Strong Language and Scenes of a Sexual Nature’ and ‘Look at All the Women’ (poetry), and ‘How to Win Writing Competitions’ (nonfiction). See her listings for cash-strapped writers at www.compsandcalls.com, updated on the first of every month. Cathy lives in Cheshire, UK.