Tag: literary

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by Sandra Grills

“Mama, I need a hug” a small voice calls into the darkness. She believes, even at the age of eight, that her little voice will be heard. She trusts that someone will be there. Not just any someone, her Mama, ready to give her a hug.

With a sigh only perceptible in my sleep weary mind, I roll over and push myself out of bed. My eyes open just a crack as I shuffle down the hall. She’s sleeping when I reach her room—a little cherub running around in the land of nod—but experience warns against leaving. It would only result in a louder, more urgent call. I reach down and do what many would consider an unthinkable sin, I wake a sleeping child.

Delicate eyelids flutter open, and a smile cracks the flawless face with a look that says “I knew you’d come.” Heavy arms reach up and claim their hug. The smile continues, even after the arms drift back onto the bed, and the eyes slide closed.

Sleeping
Mark Probst via Creative Commons

I tiptoe past the creaks in the floor, careful to lay my feet on soft carpet, before I lay a weary head back on my pillow. A little noise floats up the hallway. The contented sigh of a sleeping child who feels safe.

 

 

Sandra GrillsSandra has been a director, a business owner, a project manager, a bookbinder, and a mother. Her current passion is reading and writing in Calgary, Alberta, Canada, where she lives with her husband, two amazing children, and a gecko named Captain Doug.

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by Jeaninne Escallier Kato

Lipstick
David Moran via Creative Commons

“Moishe, darling, don’t forget your coat.” She has carefully placed his clothes on the bed, as she does for every opera night.

“And you look breathtaking, Ruth, my love.” He stares at her through her vanity mirror as if memorizing every feature on her face. “The black velvet suits you.” He swallows heavily, sweat beading on his brow.

She grins in that special way that says she wants him desperately. Applying red lipstick, she says, “The children are downstairs with your parents. I bundled them up in layers. It will be a cold night.” She turns away when the tears blur her vision. She knows he is studying her closely.

He runs his fingers down her exposed spine until he touches the top of the zipper. She grabs his hand and presses it to her powdered cheek. Her tears have left visible tracks through an otherwise impeccable layer of make-up.

A door bangs open. He runs downstairs to the children, shielding them from the inevitable intruders. She slowly slips into her mink coat. With trembling hands, she picks up the felted yellow star that has fallen to the floor.

Jeaninne Escallier KatoJeaninne Escallier Kato is the author of the childrens’ book, “Manuel’s Murals.” She has published short stories in various online journals, and her memoir essay “Swimming Lessons” is published in the anthology book, “Gifts From Our Grandmothers,” by Carol Dovi. Jeaninne is a retired, bi-lingual educator who is inspired by the Mexican culture. Much of her written work revolves around the people and traditions of Mexico. She resides in Northern California with her husband, Glenn, two German Shepherd mix dogs, Brindey and Bobby McGhee; and, one very fat Russian Blue cat named Mr. Big.

Visit her on Facebook, Twitter, LinkedIn, and YouTube.

 

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by Christina Dalcher

Gran’s tattoo might have been beautiful. On her, it was a desperate grasp at youth, an atrocity, an embarrassment. Ugly.

“You could have that removed,” I said on a Saturday after Gran returned from wherever she went on Saturday mornings. “There’s a place in town—”

Gran silenced me with a wave of her stupidly paisleyed left arm.

Watchtower Concentration Camp - Buchenwald
Alexander Steinhof via Creative Commons

We’d attempted this conversation before. It always ended on the same note, but now Gran elaborated. “I got this after leaving Budapest.” Her eyes crinkled in a rare smile as she nodded toward the strip of curls on her forearm. “From a man.”

“A man,” I repeated. I supposed even in 1940 men operated tattoo parlors. Or maybe she was one of those ‘types,’ as mum might say.

“I don’t want to erase him.”

And I didn’t want to think about Gran having a lover.

She died the following Saturday, and two strange old women came to bathe her withered body. They saved Gran’s left arm for last, stroking it gently, muttering foreign, guttural words.

I got one last look at the ugliness of colored ink on pale, papery skin before mum dressed her, and I saw the unspeakable, forgotten ugliness hidden inside each paisley teardrop: A-13968.

Beautiful, Gran, I thought when we buried her.

Christina DalcherChristina Dalcher is a linguist, novelist, and flash fiction addict from The Land of Styron. She is currently matriculating at the Read Every Word Stephen King Wrote MFA program, which she invented. Find her at ChristinaDalcher.com or @CVDalcher. Or hiding in a cupboard above the stairs. Or read her short work in Zetetic, Pidgeonholes, and Syntax & Salt, among other corners of the literary ether.

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by Ahimaz Rajessh

shadow #4
Marilyn Maciel via Creative Commons

In Nazareth—that intricate yet simplified labyrinth—if you were of the kind that walks in twos, eight of its pathways led to the century-old church that Canon Arthur Margoschis (with the aid of hundreds of nameless, faceless coolies) built.

Nine of them, if you count the ten foot wall that divides the boys’ school campus from the church.

If you had been a lamb, or a child with rapacious craving for climbing, running and jumping, or of the kind that is arboreal, you would know a wall is as well a pathway.

After the scarcely attended English church service, out of pure habit or instinct or both, Yesu took the ninth pathway one Sunday night.

Vaulting it with his pole of a foof (a hoof that’s a foot) in a hole that Jebi carved out two decades ago, leaping upon it and landing as he did, ever so quietly (an inch shy of six foot) Yesu raced toward the southern exit, as the never-once-used, derelict basketball court (that marked the beginning of the slow demise of a once-remarkable, now fading institution) under a starlit sky, cast its shadow aslant.

Ahimaz RajesshAhimaz Rajessh has been lately published in Flapperhouse, The Fractured Nuance, 7×20, Cuento, unFold and Pidgeonholes. His writing is forthcoming in Milkfist, theEEEL, and Strange Horizons.

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by Alex Creece

Vitality slipped from his dark, calloused fingertips. Blueish, purpleish, and then grey. Stigmata once throbbing raw with rot blackened to an impenetrable void. His palms were a purgatory of coagulate crust. The eyes of the all-seer shrivelled upon the salvationless silhouette of the boulder which obstructed his portal to the next life.

He was dead. Or dying. Or definitely, definitely dead.

Crack
Kenneth Lu via Creative Commons

He stared at the boulder for hours on end, blinking less and less until he no longer felt the need to scrape his sleep-starved lids against eyes so dry and devoid of sight. Rocks and rubble etched secrets and scripture into his back, and eventually he was comfortable enough to settle into his Grotto of Eden as he awaited his exile into a new existence. His nerve endings had ruptured—their own rapture, perhaps—so he no longer felt the searing necrosis of his physical form, nor did he choke on the stench of his own decay. He welcomed rigor mortis eagerly, allowing it to exorcise him of a life left.

A couple of days later, a crack of light seeped through the edge of the boulder. It caught his vacant eyes and singed his peeling flesh. But he remained staunch. He had found his way through days ago.

Alex CreeceAlex Creece is made of dirt and determination. It’s the latter which laces her lungs with grit.