by Stephanie Kraner

Sleeping Woman
Otto Magus via Creative Commons

I don’t know what I miss more: sleeping or waking. Both represent a change, something new and terrifying. Not many people see it that way, but I have a unique perspective.

The last time I went to sleep, I woke up dead.

Caught me off-guard, especially since I still went to work. Christ, that was a bad day. The goddamn computer wouldn’t work and nobody even looked at me. Then I went home and found my body. If I could’ve shit my pants, I probably would’ve.

My ex-wife used to say I’d die before I stopped working, and I guess the bitch was right.

I stretch, watching her as she lies in bed.

Not everyone gets to come back. Just the stubborn ones. The anal ones, Karen would say. The ones who don’t even call off dead.

Karen stirs. When she sees me, she’s going to flip. Then I get to tell her she’s dead. Win.

It sucked being alone when I woke up for the last time, so I made this my job. A man—even the ghost of a man—needs a purpose.

Karen’s spirit gets up. She sees me and glares. Then she sees her body. Then she starts screaming.

Typical Karen—always making a scene.

“When you’re done,” I say, “we need to talk.”


Stephanie KranerStephanie is a small-town girl who recently moved to Pittsburgh—and she loves it!  Her hobbies include people-watching while stuck in traffic, being overly-opinionated about the aesthetics of bridges, and getting lost in parking garages. She also likes lizards, hockey, and trying craft beer based entirely on the design of its label. Her fiction has appeared in flashquake, Defenstration, The Battered Suitcase, and was Editor’s Choice in Anotherealm.

by Alice Pow

The ghost waltzed through the table, body passing through wood, leading a missing partner.

“I’ve tried speaking to her, but she only dances,” the elderly woman said, staring at the ghost. “Isn’t she beautiful?”

“Is it always the waltz?” Ellen held a digital camera, chrome red with yellow highlighting. The camera’s display showed the dining room: the table, bare; photographs, framed against the wall’s white paint; but no phantom.

music box
Lindley Ashline via Creative Commons

Overlooking the camera, Ellen watched the dancing woman step in time without music.

“Just the same at eight each morning for the past month,” Ellen’s client said. Eyeglasses hung round her neck by a thin chain. “Oh, but only on weekdays.”

Ellen arranged her camera on the dresser behind her. She pointed it towards the dancer and stepped away. The camera sat alongside an ornate box on the otherwise vacant surface. She opened the box and a melody drizzled out like soft rain. A waltz.

The dancer moved in time with the romantic tune.

“Mrs. Doe,” Ellen said, “where did you get this music box?”

Mrs. Doe did not answer immediately. Dancer and music had captivated her.

Eyes transfixed, she said, “I found that box with some of my wife’s things. It’s been so long. I didn’t realize. She was so much older when we met.”


Alice Pow

A creative writing major with a journalism minor at Bradley University, Alice loves linguistics, ukuleles, and long talks about humanity’s place in existence with relation to God, the universe, and the greater cosmos as a whole. More of her work can be found in Bradley University’s Broadside Magazine and on her blog: 50wordsaday.tumblr.com.