Dear Tâââ,
Iâm writing this with rain hitting the window and it reminds me of that night we got trapped in your dadâs Tahoe with the dead battery on Westlake. Do you remember? We just sat there and listened to the drops pounding against the roof, holding hands, scared of our approaching curfews and mudslides and lightning and whatever. I think about that night sometimes, the part before we moved to the back seat, and I miss that sound.
I miss a lot of things about us. I miss not fighting over Rââââ. I miss going out and doing things. I miss everything being us against the world instead of us against us. For a long time I swore the brighter days were just around the corner. Every relationship has rough patches, okay? This was ours. If we were meant for each other the way you always say, weâd probably have a lot of rough patches over time, you know? So this was one.
How do you tell when a patch becomes a pattern? How much time do you give someone to change, or to find their way back to you? Iâd set these little deadlines, like secret tests. Like, âby the end of the week we have to have one day without fighting.â Or, âwe have to kiss at the beginning and at the end of lunch two days in a row.â Each test we failed Iâd totally blame myself at first and then blame you too. Eventually, I donât know, I guess I kind of felt like it wasnât you and it wasnât me it was just us. You know, like⊠Us. We couldnât make it through a movie without, whatever. Being crappy to each other over popcorn or something.
Anyway, I donât want to over-analyze. Iâm breaking up. I need you to understand something important here, because Iâm not breaking up with you, Iâm breaking up for us. I still love you. I donât know how to stop loving you and thatâs why Iâve been trying to find a sign or a reason or a test to pass that tells me we can make it. Thereâs just nothing there.
I know you think Iâm the serious one and youâre going to think this is about you being immature again. Itâs not. Itâs just about what I said above, how part of Us (Us-with-a-capital-U-Us) has been missing for a while and weâre in love but⊠weâre miserable. Weâre making each other miserable with our love. And I canât anymore. I canât be a part of your misery. I canât be a part of my misery.
The hardest part of this has been thinking of your reaction. Youâve known something was wrong for a couple of days now, and thatâs probably because Iâve had in my mind that this needs to happen since Sunday. Donât overanalyze. Râââââs party wasnât like the last straw or anything. I was actually going to tell you there, but I started thinking about what youâd say and what youâd do and I chickened out. But Iâve had some time to think about it, and Iâm pretty sure I know now how this will go.
You will come to my house today after practice like always.
You will steal one of my momâs beers and ask if I want one, which I will decline. She counts them. She knows when theyâre gone. I always take the blame and I donât drink one so sheâll think itâs just me and never you.
Iâll tell you we have to talk and Iâll say that you need to read this letter first so you can see my thoughts organized before we talk about it. I will mean to say âfight about it,â but change my mind at the last minute.
We will fight about it.
Youâll read the letter up until the fourth paragraph and then youâll put down the pages and ask if this is a joke. Iâll assure you it isnât.
You will get angry and accuse me of cheating.
Youâll bring up Rââââ again for the millionth time. Iâll bite back the true pain, the rancid betrayal of your accusations again, for nearly the last time because I know. I know what happened between you two at Billy Dâââââââs birthday thing. I know and Iâll let you continue to lie to yourself and project your guilt onto me.
I will ask you to read the rest of the letter, but you wonât.
Youâll take another one of my momâs beers out of spite and Iâll have to steal a third and drink enough of it after you leave to have the smell on my breath so she believes I took them all.
Youâll say you can change.
Youâll say things will be different.
Youâll say you canât live without me.
Youâll cry and my heart will break again and again.
I will be tempted to take it back.
I will realize I canât take it backânot ever. It will become clear that even if we decide to try again later on, if we get back together at some point (although, we wonât), I would always be the one who broke up with you that one time. I will always be the one who broke your heart, even though mine is broken, too.
Furiously you will shift and wipe your eyes and storm out screaming hateful, vile things to me you will one day regret having said to your high school sweetheart. By then it will be far too late and the awkwardness between us will never allow you to apologize. I will die hoping you didnât mean them but never being completely sure.
You will stand in the rain at the bus stop, even though there is an overhang. It will feel better that way.
On the bus, you will collapse onto the seat at the very back with your bookbag on your lap and think how much you hate the world. You will hate the bus. You will hate the rain. You will hate your dad for taking your license. You will hate me most of all.
The trip will be long. Itâs always long but today it will be interminable with the traffic and the weather. It will start to get dark and youâll take this letter out of your pocket and read it, squinting in the dim light.
You will be amazed at my foresight.
You will squirm uncomfortably at my near-psychic ability.
You will hate me even more.
You will laugh at every minor detail I got just a little wrong.
Finishing the letter, you will feel a sharp pang of indignation. Youâll suppress the urge to say out loud, âNo I wonât!â
Then you will start to realize Iâm giving you tacit permission to be with Rââââ. Youâll understand that it will ruin the three of us forever. Youâll alternate between thinking I deserve it and thinking you canât do it to me, as furious as you are right now.
Youâll sleep with Rââââ in less than a week.
In a year and two months you will graduate, having not spoken to me for a long time.
Three months after that, you will be in college and I will be here, building my savings to try and be no more than a year or two behind in starting my own quest for a degree.
About a month into college, youâll think of me and realize I hadnât crossed your mind in quite some time.
By the end of Freshman year, youâll have trouble remembering my face. Though, when you do, you will find there are still feelings there. They will be dull and confused, but they will linger. You will have someone newânot Râââââand you will tell them about me and you will swear you are completely over me. It will be mostly true, but only mostly.
You wonât care forever. At some point, maybe by the end of college, maybe a few years after that, youâll realize if you met me on the street youâd be indifferent about me. Your only fear would be that I might show interest, that I might hint around about starting things up again. Youâll worry how you would handle that situation. But you wonât lose any sleep over it.
Youâll think those things and then youâll remember that I predicted it all and youâll laugh to yourself a little. For a moment youâll consider calling me and telling me, âHey, you remember that letter? Want to hear something crazy? It was all true. You nailed it. You got it all right. Isnât that funny?â
But you wonât call.
Youâll consider it, and youâll consider it for a long time. In the end youâll decide to just let it drop.
It will be one last thing I was right about.
The only thing I wonât be right about is this: youâll throw this letter away someday.
Sometimes a story just sort of demands to make itself known. I wrote this very quickly (for me), in something like forty minutes last night. It’s another of my dad’s writing prompts, this one being, “A teen-aged boy flops himself into a seat on a bus and sits sullenly.” I knew I wanted to do two things here: one, I wanted the prompt scene to be the pivot point for the narrative; and two, I wanted to write something in second-person future tense. I don’t know why, it just seemed different and fun.
The decision to black out the character’s names (which might have worked better if I had hand-printed the letter, weathered it, and scanned it as I briefly considered) was a last-minute one. My initial draft contains the actual names. I did this because I liked the idea of keeping the genders of all the main characters ambiguous. Of course, if you read the prompt above you can infer what T’s gender is. Also I should note that his name began with an “S” in the original but blacking it out made it look like a censored curse word which I didn’t want to imply.
As a story, I’m pretty happy with this. It’s still a bit longer than I intended it to be and I think it takes a little bit too long to get to the predictions which I think is the best part, but it’s not bad. As an example of the prompt it’s maybe stretching a bit, especially with the obfuscated genders, but that’s okay. It’s not like I’m actually in my dad’s class here.
An extremely creative approach to the topic. Very cool.