Word counts: a phrase that strikes utter apathy in the hearts of people everywhere. Well, most people. If you’re a writer or editor, you probably care (at least some) about word counts. They are a rough measure of the size of a piece of writing, and in shorter works (journal articles, short fiction, etc) they can be a measure of effort for use in paying writers. Typically book-length work is paid based on unit sales and/or other complicated algorithms so it matters less how many words something is once it reaches that scope. Now, determining what lengths qualify as “novel” versus, say, “novella” is a whole other discussion, but let’s focus on the fact that word counts are used to determine relative size and values for works that tend to be collected or anthologized.
Bashar made the drive once a week from Columbia to Kansas City. I-70 wasn’t much to look at, but he liked the alternating billboards that told the story of his life: religion and porn. A mega-church advertising Sunday services, then an adult bookstore trumpeting a sale. John 3:16 in tall letters. A quarter mile later, a gentlemen’s club reminding motorists that they had girls who were not just nude but all nude.
The job was boring, but it gave Bashar time to pray. When he arrived in KC, the men in sunglasses would inspect the guns in silence. They’d nod, and hand over a locked briefcase and a small stack of bills that Bashar knew was his cut. It was always tempting to pull into one of the clubs on the way back. Or even at one of the churches. His money would be welcome at either. But he knew better than to stop until the money was safe in Orchid’s hands.
It all went wrong with six words: what’s the worst that could happen? The passenger seat, where he left the briefcase, was empty when he got back.
Bashar turned the car north and drove.