Chemistry Spectacular

Wellington College via Creative Commons

Aspiring Voices is going on a short hiatus through the end of the year, but we’re stepping out on a high note with the spirited and unique Alexander Chantal. I spoke with Alexander about his unique take on forms, the scientific perspective he brings to crafting a narrative, and the eclectic array of authors that have influenced him.

Paul: Tell me a little bit about how you got started writing. Was it something you always enjoyed, or did you come into it at a later point in time?

Alexander: When I was young, I enjoyed writing little bits and pieces here and there. My mother got me a “My First 500 Words” book when I was very little. I read it all in little or no time, it was fun. Then I was given eights volumes of an encyclopedia, at that point in time I realized three things: I wanted to write small stories with the stuff I already knew, I loved science and reading was like alcohol, once you’re addicted, there is no way out.

I didn’t start off writing like most people, writing small stories on a notebook, but rather making board games with ridiculously elaborate stories and rules. It was crazy, but then and there I realized I loved Sci-Fi. What really got me writing was the Left Behind series. I was’t much of a religious person, but the story was so interesting, then my love for anime grew in intensity.

Initially, I started writing poetry. Didn’t think for a second I’d try and become a writer. A poet, that’s what ran through my mind. Seven years ago, I started writing my first story, I never gave it a name, and then my recent work-in-progress: Adagio for Canon.

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I’m starting a new series of posts here called Aspiring Voices. These are interviews with other aspiring writers discussing writing craft, inspiration, breaking into the business, the learning process, books, and probably a lot of other stuff, not all of it necessarily on topic.

My first guest is Anma Natsu, whose YA novel Aisuru will be released next year and is currently the host of The Lackadaisical Writer podcast. Anma and I sat down to discuss dog training, charging creative batteries, what grown-up writers need to do to create effective YA, and why she tears up every time she reads a particular graphic novel.

Cherry Blossoms

Bart via Creative Commons

Paul: When did you decide to pursue writing seriously? Was there a catalyst to it or have you always been sort of picking at it?

Anma: Well, I started writing back in middle school, but back then it wasn’t truly serious for my fiction writing; it was more of an outlet for dealing with being an extreme introvert in a school of bullies. When I was in high school, I did a presentation in English class on caring for and training dogs, complete with a hands-on demonstration with my own puppy (the one time in school I was popular [laughs]). Part of that was a 30-40 page manual that my teacher raved over and encouraged me to expand and publish. So for awhile, I did have an idea of doing that and writing non-fiction books. But eventually I realized there were already tons of dog training books and wrote it off as a silly dream.

Many years later, I was still dabbling with fiction writing but I wouldn’t say it was a truly serious pursuit until I tried participating in National Novel Writing Month for the first time, which was in 2006. I failed miserably at the goal to get to 50,000 words, but I wrote more in that month on a single work than I ever had before and it helped me realize I could do more than just write a few story starts. Two years later, I actually finished writing my first novel, though it was just below 50,000 words.

I would say that was the real catalyst for me to truly decide to fully embrace my writer side.  Seeking publication wouldn’t become a firmer goal though until maybe 3-4 years ago, after meeting my sweetie, because he actually encouraged me with my writing. While I had friends who would “cheer” me on, no one really encouraged me or even read my stuff, but he did, gave me his honest feedback and his unmitigated support when I shyly mentioned considering eventual publication.

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